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Old Buttermarket Street
Attributed to George Sheffield[?] and Percy Davies 1887 |
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"The Big Picture", a 7ft x 4½ft pastel on brown paper, hung in the
original Warrington Police Station in Irwell Street and moved to the parade
room at the new Arpley Street Station in 1901. The picture was moved in the 1990's to a dryer position in the main
corridor.
It depicts Buttermarket Street, Warrington looking up to the Clock
Tower at Market Gate. In the lower left corner is a poem signed by Percy Davies and dated 1887.
An old photograph of 1905 (right) shows just how
accurate the picture is. The
loading beams of the warehouse in the top left centre of the picture can be
clearly seen in the photograph. |
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The
small hanging lamp in the centre of
the picture is that of the old Pelican Inn. It can be seen in another old
photograph from the early 1900's. |
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"Mr
Hunt's on your right"
This stern character is Samuel Hunt Esq, Chief Constable of the
Warrington Borough Police from 1866 to 1895. Also in the collection is a
fine clock presented to Mr Hunt on his retirement.
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Percy Davies was born in Warrington and after going
to sea as a young man became one of the town's solicitors. He was also
an artist and a close friend of the well known landscape painter, George
Sheffield (about whom more below). |
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The painting was made in or just before 1887 and
shows the top end of Buttermarket Street before that street was widened
and the circus at Market Gate built. Davies presented it to the
Warrington Borough Police. But whereas the poem and its
associated four figures in the foreground are undoubtedly by Davies,
considerable questions have been raised as to the authorship of the rest
of the painting. |
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Natasha Lolljee,
Exhibitions & Display Assistant at the
Warrington Museum and Art Gallery, has pointed out that the four foreground
figures are in a very different style to the rest of the painting and
that the background bears a similarity to the work of George Sheffield, and
especially to his painting "Old Cheap Side" which is in the Warrington
Museum.
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The foreground figures are primitively drawn,
very stiff and unnatural. The drunk's left leg is much longer than the
right and both are twisted out of the body line. Compare them to the small but
deft figures in the background and the detailing of the folds on the
lady's cloak. |
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The perspective line of the pavement in the bottom
right is not consistent with its lines further up, suggesting that the
pavement may have been widened to accommodate the figures. |
Compare this painting to Old Cheap Side. - general composition and style,
perspective, the lamp on the right, figures by the wagon, writing on shop
signs, signature Information on George Sheffield, portrait of Sheffield |
The Warrington painting without the figures John Witt's cartoon |